A．for all thatB．now thatC．just asD．as if

A．For all

B．All for

C．All of

D．After all

A.for all

B.above all

C.at all

D.after all

【C5】

A．for example

B．after all

C．to some extent

D．by the way

ood D．for long

All the people around were affected ______ tears by the sight.

A．for

B．in

C．to

D．with

A.So that

B.Now that

C.However

D.Therefore

A.For B.wonder C.numerous D.up E.issued

Many Americans still _____1 whether honesty was an important part of the American Character.______2 that reason,there are ______3 watch-dog committees at all levels of society.Although signs of dishonesty in school,business,and government seem much more numerous in recent years than in the past,could it be that we are getting better at revealing such dishonesty？ Some evidence is ______4 that dishonesty may ebb and flow.When times are hard,incidents of theft and cheating usually go ______ 5.And when times get better such incidents tend to go down.

When he went out, he would wear sunglasses______ nobody would recognize him.

A．so that

B．now that

C．as though

D．in case

whether photographer's fidelity to appearances and dependence on a machine allowed it to be a fine art (1)_____ distinctive from merely a practical art. Throughout the nineteenth century, the defense of photography was identical with the (2)_____ to establish it as a fine art. (3)_____ the charge that photographers was a soulless mechanical duplication of (4)_____, photographers (5)_____ that it was instead a privileged (6)_____ of seeing, a revolt against commonplace vision, and (7)_____ worthy an art than painting.

Ironically, (8)_____ photography is securely established as a fine art, many photographers find it pretentious or (9)_____ to label it as such. Serious photographers are no longer willing to (10)_____ whether photography is not involved with art, (11)_____ to proclaim that their own work is not involved with it. This shows the extent (12)_____ which they simply take for granted the concept of art imposed by the (13)_____ of Modernism: the better the art, the more subversive it is of the traditional aims of art.

Photographers' disclaimers of any interest in making art tell us more about the troubled status of the contemporary (14)_____ of art (15)_____ about whether photography is or is not art. Photography, (16)_____ Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.

Photography, (17)_____, has developed all the (18)_____ and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the (19)_____ of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity— (20)_____, an art.

A．for

B．apart

C．as

D．beside

In the nineteenth century Charles Dickens, the English novelist, wrote excitedly (1)_____ a stage-coach, pulled along by a team of horses, that could (2)_____ more than twenty miles of road within sixty minutes. To us in the twentieth century in (3)_____ man is able to move and to communicate with such rapidity, the (4)_____ of the stage-coach seems no speed at all. Aeroplanes fly many hundreds of miles in an hour; express trains (5)_____ four times the speed of the stage-coach; and even without (6)_____ we can, by wireless or telegraph, communicate within seconds with people on (7)_____ side of the' globe. The (8)_____ of these increased speeds are numerous. Business (9)_____ say, from Europe to America or to the Far East can save much time. (10)_____ a journey that would once have taken weeks, it (11)_____ now, by air, only twenty-four hours. Fruit, vegetables and other goods that would decay (12)_____ a long, slow journey can now be safely sent to far-distant places. Members of one family (13)_____ each other by vast distances can have conversations with each other by telephone (14)_____if they were all sitting in the same room.

Not ail the effects of speed, however, are (15)_____ People who are in the habit of using a motor car (16)_____ they want to move half a mile become physically lazy and lose the (17)_____ of enjoying a vigorous walk. Those who travel through a country at eighty miles a hour do not see much of the life of that country, of its people and animals and plants, as they flash (18)_____ They become so anxious about moving quickly from one place to another that they are (19)_____ able to relax and enjoy a (20)_____ journey.

A．for

B．in

C．at

D．of